Pyotr Ilyich Tchaikovsky
The Queen of Spades
Upcoming Performances
Overview
Tchaikovsky’s macabre thriller, set against the backdrop of Tsarist Russia, is back in the Met’s atmospheric staging. Soprano Sonya Yoncheva makes her highly anticipated role debut as Lisa, the young woman who embarks on a deadly love affair with the gambling-obsessed officer Hermann, sung by tenor Brian Jagde, also in his role debut. Baritone Igor Golovatenko reprises his moving portrayal of Lisa’s fiancé, Prince Yeletsky, alongside mezzo-soprano Violeta Urmana as the spectral Countess and baritone Alexey Markov as Count Tomsky. Keri-Lynn Wilson conducts the sweeping score.
Production a gift of the Lila Acheson and DeWitt Wallace Endowment Fund, established by the founders of The Reader's Digest Association, Inc.
The Met gratefully acknowledges the support of Mr. and Mrs Austin T. Fragomen and Barbara Augusta Teichert
Revival sponsored by Rolex
Languages
Languages sung in The Queen of Spades
Sung In
Russian
Titles
Title languages displayed for The Queen of Spades
Met Titles In
- English
- German
- Spanish
Timeline
Timeline for the show, The Queen of Spades
Estimated Run Time
3 hrs 40 mins
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House Opens
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Act I
70 mins
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Intermission
35 mins
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Acts II and III
115 mins
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Opera Ends
Cast
Select a date from the dropdown to filter cast by date of performance
World Premiere: Mariinsky Theater, St. Petersburg, 1890. A work of extreme moods and colors, The Queen of Spades explores life’s frivolities as well as the darkest impulses of obsession, addiction, madness, and self-destruction. The gripping plot is set against the vast elegance and macabre allure of St. Petersburg, which functions almost as a character itself. Tchaikovsky’s lyric mastery is equally apparent throughout the whole of this remarkable score, which moves deftly from the most elegant to the most harrowing situations.
Creators
Pyotr Ilyich Tchaikovsky (1840–93) enjoyed tremendous fame during his lifetime as a composer of symphonic music and ballets. Today, his operas also enjoy growing popularity. The composer’s brother Modest (1850–1916) adapted the libretto for The Queen of Spades, with many passages created by Tchaikovsky himself, from a short story by esteemed Russian writer Alexander Pushkin (1799–1837).
PRODUCTION
Elijah Moshinsky
SET AND COSTUME DESIGNER
Mark Thompson
LIGHTING DESIGNER
Paul Pyant
CHOREOGRAPHER
John Meehan
Composer
Pyotr Ilyich Tchaikovsky
Setting
The story unfolds in the czarist capital of Russia, St. Petersburg, during the later years of the Empress Catherine the Great, who reigned from 1762 to1796. In The Queen of Spades, the beautiful city of rivers and canals is both a mystical place where elements of fantasy can burst forth at any moment and a very real, modern city that provides an opportunity to satirize contemporary society.
Music
Tchaikovsky’s skills as a great symphonist and undisputed master of the ballet are apparent in the many superb orchestral touches throughout this opera’s score. The opera’s great vocal solos, most of them considered concert standards in Russia, are excellent surprises for American audiences, and notable for their diversity. Ensembles punctuate the work at key moments of interaction—most notably in the first scene’s quintet, in which each of the drama’s lead characters expresses fear of another character.
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