Tosca

Giacomo Puccini

Tosca

Upcoming Performances

Monday

Jan 17 at 7 PM

Friday

Jan 21 at 7 PM

Wednesday

Jan 26 at 7 PM

Saturday

Jan 29 at 8:30 PM

Wednesday

Mar 2 at 8 PM

Saturday

Mar 5 at 8 PM

Wednesday

Mar 9 at 8 PM

Saturday

Mar 12 at 8 PM

Overview

A trio of commanding sopranos share the role of opera’s quintessential diva. Sondra Radvanovsky, Elena Stikhina, and Aleksandra Kurzak star in David McVicar’s thrilling production, sharing the stage with tenors Brian Jagde, Joseph Calleja, and Roberto Alagna as the painter-revolutionary Cavaradossi and baritones George Gagnidze and Željko Lučić as the vile police chief Scarpia. Yannick Nézet-Séguin and Carlo Rizzi share conducting duties.

All audience members must be fully vaccinated against Covid-19 and wear face masks at all times inside the Met, except when eating or drinking in designated areas. For more information on health and safety policies, visit our commitment page.

Production a gift of Jacqueline Desmarais, in memory of Paul G. Desmarais Sr; The Paiko Foundation; and Dr. Elena Prokupets, in memory of her late husband, Rudy Prokupets

Major funding from Rolex

Revival a gift of C. Graham Berwind, III

Languages

Languages sung in Tosca

Sung In

Italian

Titles

Title languages displayed for Tosca

Met Titles In

  • English
  • German
  • Spanish
  • Italian

Timeline

Timeline for the show, Tosca

Estimated Run Time

3 hrs

  • House Opens

  • Act I

    45 mins

  • Intermission

    35 mins

  • Act II

    45 mins

  • Intermission

    30 mins

  • Act III

    25 mins

  • Opera Ends

Tosca

Premiere: Teatro Costanzi, Rome, 1900. Puccini’s melodrama about a volatile diva, a sadistic police chief, and an idealistic artist has offended and thrilled audiences for more than a century. Critics, for their part, have often had problems with Tosca’s rather grungy subject matter, the directness and intensity of its score, and the crowd-pleasing dramatic opportunities it provides for its lead roles. But these same aspects have made Tosca one of a handful of iconic works that seem to represent opera in the public imagination. Tosca’s popularity is further secured by a superb and exhilarating dramatic sweep, a driving score of abundant melody and theatrical shrewdness, and a career-defining title role.

Creators

Giacomo Puccini (1858–1924) was immensely popular in his own lifetime, and his mature works remain staples in the repertory of most of the world’s opera companies. His operas are celebrated for their mastery of detail, sensitivity to everyday subjects, copious melody, and economy of expression. Puccini’s librettists for Tosca, Giuseppe Giacosa (1847–1906) and Luigi Illica (1857–1919), also collaborated with him on his two other most enduringly successful operas, La Bohème and Madama Butterfly. Giacosa, a dramatist, was responsible for the stories, and Illica, a poet, worked primarily on the words themselves.

PRODUCTION

David McVicar

SET AND COSTUME DESIGNER

John Macfarlane

LIGHTING DESIGNER

David Finn

MOVEMENT DIRECTOR

Leah Hausman

Headshot of Giacomo Puccini

COMPOSER

Giacomo Puccini

Videos

Setting

Tosca

No opera is more tied to its setting than Tosca, which takes place in Rome on the morning of June 17, 1800, through dawn the following day. The specified settings for each of the three acts—the Church of Sant’Andrea della Valle, Palazzo Farnese, and Castel Sant’Angelo—are familiar monuments in the city and can still be visited today. While the libretto takes some liberties with the facts, historical issues form a basis for the opera: The people of Rome are awaiting news of the Battle of Marengo in northern Italy, which will decide the fate of their symbolically powerful city.

Music

The score of Tosca (if not the drama) itself is considered a prime example of the style of verismo, an elusive term usually translated as “realism.” The typical musical features of the verismo tradition are prominent in Tosca: short arias with an uninhibited flood of raw melody, ambient sounds that blur the distinctions between life and art, and the use of parlato—words spoken instead of sung—at moments of tension.

Tosca