The Met celebrates the 40th anniversary of Franco Zeffirelli’s beloved staging with three exceptional casts appearing as Puccini’s young bohemians. Sopranos Anita Hartig, Maria Agresta, and Eleonora Buratto trade off as the ill-fated seamstress Mimì, alongside tenors Charles Castronovo and Matthew Polenzani as her lover, the poet Rodolfo. Sopranos Federica Lombardi, Gabriella Reyes, and Aleksandra Kurzak and baritones Artur Ruciński, Lucas Meachem, and Quinn Kelsey are the on-again-off-again pair Musetta and Marcello, with Eun Sun Kim and Carlo Rizzi conducting.
All audience members must be fully vaccinated against Covid-19 and wear face masks at all times inside the Met, except when eating or drinking in designated areas. For more information on health and safety policies, visit our commitment page.
Production a gift of Mrs. Donald D. Harrington
Revival a gift of C. Graham Berwind, III
Languages sung in La Bohème
Title languages displayed for La Bohème
Met Titles In
Timeline for the show, La Bohème
Estimated Run Time
3 hrs 5 mins
Acts I and II
World premiere: Teatro Regio, Turin, 1896. La Bohème, the passionate, timeless, and indelible story of love among young artists in Paris, can stake its claim as the world’s most popular opera. It has a marvelous ability to make a powerful first impression and to reveal unsuspected treasures after dozens of hearings. At first glance, La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection, it reveals the deep emotional significance hidden in the trivial things—a bonnet, an old overcoat, a chance meeting with a neighbor—that make up our everyday lives.
Giacomo Puccini (1858–1924) was immensely popular in his own lifetime, and his mature works remain staples in the repertory of most of the world’s opera companies. His librettists for La Bohème, Giuseppe Giacosa (1847–1906) and Luigi Illica (1857–1919), also collaborated with him on his next two operas, Tosca and Madama Butterfly. Giacosa, a dramatist, was responsible for the stories and Illica, a poet, worked primarily on the words themselves.
Peter J. Hall
The libretto sets the action in Paris, circa 1830. This is not a random setting, but rather reflects the issues and concerns of a particular time when, following the upheavals of revolution and war, French artists had lost their traditional support base of aristocracy and church. The story centers on self-conscious youth at odds with mainstream society—a Bohemian ambience that is clearly recognizable in any modern urban center. La Bohème captures this ethos in its earliest days.
Lyrical and touchingly beautiful, the score of La Bohème exerts an immediate emotional pull. Many of its most memorable melodies are built incrementally, with small intervals between the notes that carry the listener with them on their lyrical path. This is a distinct contrast to the grand leaps and dives that earlier operas often depended on for emotional effect. La Bohème’s melodic structure perfectly captures the “small people” (as Puccini called them) of the drama and the details of everyday life.