La Traviata

Giuseppe Verdi

La Traviata

Upcoming Performances

Friday

Jan 10 at 7:30 PM

Tuesday

Jan 14 at 7:30 PM

Saturday

Jan 18 at 1 PM

Thursday

Jan 23 at 7:30 PM

Sunday

Jan 26 at 3 PM

Friday

Jan 31 at 8 PM

Monday

Feb 3 at 7:30 PM

Friday

Feb 7 at 7:30 PM

Wednesday

Feb 26 at 7:30 PM

Saturday

Feb 29 at 8:30 PM

Thursday

Mar 5 at 7:30 PM

Monday

Mar 9 at 7:30 PM

Friday

Mar 13 at 7:30 PM

Thursday

Mar 19 at 7:30 PM

Overview

Michael Mayer’s sumptuous staging, a highlight of the 2018–19 season, returns with two casts of bright stars. Sopranos Aleksandra Kurzak and Lisette Oropesa share the role of Violetta, the opera’s tragic heroine, opposite tenors Dmytro Popov and Vittorio Grigolo as her ardent lover, Alfredo, and baritones Quinn Kelsey and Luca Salsi as Alfredo’s stern father, Germont. Karel Mark Chichon and Bertrand de Billy conduct one of opera’s greatest scores.

Production a gift of The Paiko Foundation

Major additional funding from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex

Languages

Languages sung in La Traviata

Sung In

Italian

Titles

Title languages displayed for La Traviata

Met Titles In

  • English
  • German
  • Spanish
  • Italian

Timeline

Timeline for the show, La Traviata

Estimated Run Time

3 hrs 4 mins

  • House Opens

  • Act I

    32 mins

  • Intermission

    30 mins

  • Act II

    67 mins

  • Intermission

    20 mins

  • Act III

    35 mins

  • Opera Ends

La Traviata

World premiere: Venice, Teatro la Fenice, 1853. Verdi’s La Traviata survived a notoriously unsuccessful opening night to become one of the best-loved operas in the repertoire. Following the larger-scale dramas of Rigoletto and Il Trovatore, its intimate scope and subject matter inspired the composer to create some of his most profound and heartfelt music. The title role of the “fallen woman” has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges. Violetta is considered a pinnacle of the soprano repertoire.

Creators

In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 28 operas, at least half of which are at the core of today’s repertoire. Francesco Maria Piave (1810–1876) was Verdi’s librettist during his productive middle period and also worked with him on ErnaniMacbethRigoletto, and La Forza del Destino, among others. Alexandre Dumas fils (1824–1895) was the son of the author of The Three Musketeers. The play La Dame aux Camélias is based on his own semi-autobiographical novel of the same name.

PRODUCTION

Michael Mayer

SET DESIGNER

Christine Jones

COSTUME DESIGNER

Susan Hilferty

LIGHTING DESIGNER

Kevin Adams

CHOREOGRAPHER

Lorin Latarro

Headshot of Giuseppe Verdi

Composer

Giuseppe Verdi

Setting

La Traviata

With La Traviata, Verdi and Piave fashioned an opera from a play set in contemporary times—an exception in the composer’s long career. Dumas’s La Dame aux Camélias was a meditation on the author’s youthful affair with the celebrated prostitute Marie Duplessis, known as a sophisticated and well-read woman whose charms and tact far surpassed her station. The play is still staged today in its original form and exists in several film incarnations, most notably Greta Garbo’s Camille (1936).

La Traviata

Music

Verdi’s musical-dramatic ability to portray the individual in a marginalized relationship to society keeps this work a mainstay on the world’s stages. The vocal and emotional scope of the title character is enormous—from her Act I show-stopper aria “Sempre libera degg’io” to the haunting regret of “Addio, del passato” in Act III to the extended Act II confrontation with her lover’s father, Germont.