Der Rosenkavalier

Richard Strauss

Der Rosenkavalier

Upcoming Performances

Overview

Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie.

A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro Colón, Buenos Aires; and Teatro Regio di Torino

Production a gift of Howard Solomon and Sarah Billinghurst Solomon

Languages

Languages sung in Der Rosenkavalier

Sung In

German

Titles

Title languages displayed for Der Rosenkavalier

Met Titles In

  • English
  • German
  • Spanish

Timeline

Timeline for the show, Der Rosenkavalier

Estimated Run Time

4 hrs 20 mins

  • House Opens

  • Act I

    75 mins

  • Intermission

    35 mins

  • Act II

    60 mins

  • Intermission

    30 mins

  • Act III

    60 mins

  • Opera Ends

Der Rosenkavalier

Premiere: Court Opera, Dresden, 1911. Set in an idealized Vienna of the past, Strauss’s most popular opera concerns a wise woman of the world who is involved with a much younger lover but ultimately forced to accept the laws of time, giving him up to a pretty young heiress. Hofmannsthal’s fascinating libretto deftly combines comedy, dreamy nostalgic fantasy, genuine human drama, and light but striking touches of philosophy and social commentary. Strauss’s magnificent score, likewise, works on several levels, combining the refinement of Mozart with the epic grandeur of Wagner.

Creators

Richard Strauss (1864–1949) composed an impressive body of orchestral works and songs before devoting the second half of his long and productive career to the stage. His 1909 opera Elektra marked his first collaboration with Viennese author and poet Hugo von Hofmannsthal (1874–1929), who would go on to write five other libretti for Strauss over the following 20 years, in one of the most remarkable partnerships in theater history.

PRODUCTION

Robert Carsen

SET DESIGNER

Paul Steinberg

COSTUME DESIGNER

Brigitte Reiffenstuel

LIGHTING DESIGNERS

Robert Carsen and Peter Van Praet

CHOREOGRAPHER

Philippe Giraudeau

Headshot of Richard Strauss

Composer

Richard Strauss

Setting

Der Rosenkavalier

The opera is originally set in Vienna in the 1740s. Genuine historical references are merged with fictitious inventions (like the “noble custom” of the presentation of the silver rose to a fiancée, which never actually existed) and anachronisms (like the Viennese Waltz, which did not yet exist at that time). It’s a mixture that creates a seductive mythical landscape, a ceremonious and impossibly beautiful Vienna-that-never-was. The Met’s current production moves the setting to the last years of the Habsburg Empire.

Der Rosenkavalier

Music

The score of Der Rosenkavalier is lush, rich, and romantic to an extraordinary degree—perhaps surprisingly so, considering that the composer had written the disturbingly edgy and modern Elektra only two years earlier. The presentation of the rose, with its soaring vocal lines sprinkled with chromatic figures reflecting the shimmering of the silver rose (a motif that reappears with renewed poignancy at the very end) is ravishingly beautiful. And waltzes appear frequently, sometimes bumptious, sometimes elegant.