Der Fliegende Holländer

Richard Wagner

Der Fliegende Holländer

Overview

The great bass-baritone Sir Bryn Terfel returns to the company for the first time since 2012, in the title role of the cursed sea captain doomed to sail the open ocean for eternity. Valery Gergiev conducts a new production by François Girard, whose visionary 2013 take on Parsifal set the recent Met standard for Wagner stagings. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. The gifted German soprano Anja Kampe, in her Met debut, is the devoted Senta, whose selfless love is what the Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor Sergey Skorokhodov as her deserted former lover, Erik.

A co-production of the Metropolitan Opera; L’Opéra de Québec; and Dutch National Opera, Amsterdam

Production a gift of Veronica Atkins

Premiere Gala — Mar 2 

Languages

Languages sung in Der Fliegende Holländer

Sung In

German

Titles

Title languages displayed for Der Fliegende Holländer

Met Titles In

  • English
  • German
  • Spanish

Timeline

Timeline for the show, Der Fliegende Holländer

Estimated Run Time

2 hrs 19 mins

  • House Opens

  • Acts I, II, & III

    139 minutes

  • Opera Ends

Der Fliegende Holländer

World premiere: Dresden, Court Opera, 1843. Der Fliegende Holländer is the earliest of Wagner’s operatic creations to remain in the repertory. The two lead roles represent archetypes to which the composer would return, in one form or another, in most of his later works: the “otherworldly stranger” and the woman who sacrifices herself for his salvation. The work’s unearthly ambience is impressive but only one aspect of it: Both the world of nature and of the supernatural are magnificently evoked in the score.

Creators

Richard Wagner (1813–1883) was the controversial creator of music-drama masterpieces that stand at the center of today’s operatic repertory. An artistic revolutionary who reimagined every supposition about theater, Wagner insisted that words and music were equals in his works. This approach led to the idea of the Gesamtkunstwerk, or “total work of art,” combining music, poetry, architecture, painting, and other disciplines, a notion that has had an impact on creative fields far beyond opera.

PRODUCTION

François Girard

SET DESIGNER

John Macfarlane

COSTUME DESIGNER

Moritz Junge

LIGHTING DESIGNER

David Finn

PROJECTION DESIGNER

Peter Flaherty

CHOREOGRAPHER

Carolyn Choa

DRAMATURG

Serge Lamothe

Headshot of Richard Wagner

Composer

Richard Wagner

Setting

Der Fliegende Holländer

The opera is set on the Norwegian coast. The time of the action is not specified in the score.

Videos

Der Fliegende Holländer

Music

The score of Der Fliegende Holländer is an extraordinary combination of operatic lyricism, dramatic insight, and magnificent effects. At the time it was written, Wagner had not yet developed his theories of music-drama, which would form the basis for his later works. Many of the features of conventional opera (recitatives, arias, ensembles), therefore, can still be found, but the way Wagner integrates them into the fabric of the score clearly foreshadows his later technique of a continuous musical flow.