Giuseppe Verdi

La Traviata

Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production, featuring a dazzling 18th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time in five seasons to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruciński, and Plácido Domingo.

Production a gift of Eva-Marie and Ray Berry / The Paiko Foundation

Major additional funding from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone and Rolex

Read Synopsis
  • Sung In
  • Italian
  • Met Titles In
  • English
  • German
  • Spanish
  • Italian
  • Estimated Run Time
  • 3 hrs 7 mins
  • House Opens
  • Act I 30 mins
  • Intermission 30 mins
  • Act II 64 mins
  • Intermission 30 mins
  • Act III 33 mins
  • Opera Ends
New Production Dec 4 - Apr 27 Subscribe Now


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World premiere: Venice, Teatro la Fenice, 1853. Verdi’s La Traviata survived a notoriously unsuccessful opening night to become one of the best-loved operas in the repertoire. Following the larger-scale dramas of Rigoletto and Il Trovatore, its intimate scope and subject matter inspired the composer to create some of his most profound and heartfelt music. The title role of the “fallen woman” has captured the imaginations of audiences and performers alike with its inexhaustible vocal and dramatic possibilities—and challenges. Violetta is considered a pinnacle of the soprano repertoire.


In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 28 operas, at least half of which are at the core of today’s repertoire. Francesco Maria Piave (1810–1876) was Verdi’s librettist during his productive middle period, who also worked with him on ErnaniMacbethRigoletto, and La Forza del Destino, among others. Alexandre Dumas fils (1824–1895) was the son of the author of The Three Musketeers. The play La Dame aux Camélias is based on his own novel of the same name.

Production Michael Mayer

Set Designer Christine Jones

Costume Designer Susan Hilferty

Lighting Designer Kevin Adams

Choreographer Lorin Latarro

Giuseppe Verdi


Giuseppe Verdi


With La Traviata, Verdi and Piave fashioned an opera from a play set in contemporary times—an exception in the composer’s long career. Dumas’s La Dame aux Camélias was a meditation on the author’s youthful affair with the celebrated prostitute Marie Duplessis, known as a sophisticated and well-read woman whose charms and tact far surpassed her station. The play is still staged today in its original form and exists in several film incarnations, most notably Greta Garbo’s Camille (1936).