Engelbert Humperdinck

Hansel and Gretel

Dec 18 - Jan 6

A Met English-language holiday presentation, Richard Jones’s clever production of Humperdinck’s fairy-tale opera is based on the Brothers Grimm story. Donald Runnicles conducts the sweeping score and a delightful cast, including the legendary Dolora Zajick as the wayward siblings’ mother. Tara Erraught and Ingeborg Gillebo share the role of Hansel, and Lisette Oropesa and Maureen McKay share the role of Gretel.

The matinee performance on December 28 will feature a pre-curtain open house, at 11AM, where audiences can connect with some of the designers, singers, dancers, musicians, and technical wizards behind the production.

Production a gift of the Gramma Fisher Foundation, Marshalltown, Iowa; and Karen and Kevin Kennedy

Additional funding from Dr. Coco Lazaroff, and Joan Taub Ades and Alan M. Ades


Illustrated Synopsis

Originally created for Welsh National Opera and Lyric Opera of Chicago

Read Synopsis Read Program
  • Sung In
  • English
  • Met Titles In
  • English
  • German
  • Spanish
  • Estimated Run Time
  • 2 hrs 15 mins
  • House Opens
  • Act I 60 mins
  • Intermission 32 mins
  • Act II 43 mins
  • Opera Ends
Dec 18 - Jan 6

This production has completed for the season.

Be sure to check out our remaining productions on the season list.

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Premiere: Weimar, Court Theater, 1893. Originally conceived as a small-scale vocal entertainment for children, Hansel and Gretel resonates with both adults and children, and has become one of the most successful fairy-tale operas ever created. The composer, Engelbert Humperdinck, was a protégé of Richard Wagner, and the opera’s score is flavored with the sophisticated musical lessons he learned from his idol while maintaining a charm and a light touch that were entirely Humperdinck’s own. The opera acknowledges the darker features present in the Brothers Grimm version of the familiar folk tale, yet presents them within a frame of grace and humor.


Engelbert Humperdinck (1854–1921) was a German composer who began his career as an assistant to Richard Wagner in Bayreuth in a variety of capacities, including tutoring Wagner’s son Siegfried in music and composition. Hansel and Gretel was Humperdinck’s first complete opera and remains the foundation of his reputation. The libretto was written by Humperdinck’s sister, Adelheid Wette (1858–1916), and is based on the version found in the Brothers Grimm collection of folk stories. Jacob (1785–1863) and Wilhelm (1786–1859) Grimm were German academics whose groundbreaking linguistic work revolutionized the understanding of language development. 

Production Richard Jones

Set & Costume Designer John Macfarlane

Lighting Designed by Jennifer Tipton

Choreographer Linda Dobell

Translation David Pountney

Engelbert Humperdinck


Engelbert Humperdinck


The opera’s three acts move from Hansel and Gretel’s home to the dark forest to the Witch’s gingerbread house deep in the forest. Put another way, the drama moves from the real, through the obscure, and into the unreal and fantastical. In this production, which takes the idea of food as its dramatic focus, each act is set in a different kind of kitchen, informed by a different theatrical style: a D.H. Lawrence-inspired setting in the first, a German Expressionist one in the second, and a Theater of the Absurd mood in the third.


The score of Hansel and Gretel combines accessible charm with subtle sophistication. Like Wagner, Humperdinck assigns musical themes to certain ideas and then transforms the themes according to new developments in the drama. Unlike Wagner, however, Humperdinck uses separate songs (with real folk songs among them) within his scheme. The music, like the children, seems to grow up over the course of the evening.